Culture | Good optics

Refik Anadol’s use of AI has made him the artist of the moment

His work seems to be everywhere, blurring the boundaries between art and engineering

A visitor looks at Refik Anadol's work Artificial Realities: Coral.
Photograph: Courtesy Refik Anadol Studios
|LONDON and LOS ANGELES

HE is in high demand. Last year Refik Anadol projected luminous images of coral on to a wall at the World Economic Forum in Davos and covered the exterior screen of the Sphere, a new concert venue in Las Vegas, with animated, tumbling blue blocks. In October the Museum of Modern Art (MoMA) in New York acquired “Unsupervised—Machine Hallucinations”, in which a machine-learning model generates artworks based on those in the museum’s collection. On February 16th “Echoes of the Earth”, his largest-ever show in Britain, opened at the Serpentine North Gallery in London.

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This article appeared in the Culture section of the print edition under the headline “Good optics?”

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