Holding out for a hero in 2024
In a jaundiced age, screen heroes are often coated in irony. That is a shame
The setting of “Hallowe’en Party”, a whodunit by Agatha Christie, is, she writes, “an ordinary sort of place”. “A Haunting in Venice”, an extremely loose screen adaptation released in September, moves the action from a nondescript English village to a palazzo on the Grand Canal, stirring in witchery and a séance. Yet amid the added glitz and ghouls, in one important and telling way—typical of a leery, disillusioned age—the film dims the story’s magic. Like other popular franchises, it undermines its own hero, Hercule Poirot.
Explore more
This article appeared in the Culture section of the print edition under the headline “Holding out for a hero”
More from Culture
Sex, drugs or chastity?
Pope Francis has written the first memoir by a sitting pope. God help us
Backpacks are, surprisingly, in vogue
They are following in sneakers’ path and becoming more fashionable
Spotify’s playlists have altered the music industry in unexpected ways
A critical assessment of the Swedish streaming giant’s musical legacy
Henri Bergson was once the world’s most famous philosopher
He sought to reconcile science and metaphysics
Witty and wise, “A Real Pain” is a masterpiece in a minor key
Jesse Eisenberg’s deceptively slight film asks big moral questions
Now it’s all about TikTok. But Huawei led the way
The Chinese telecoms firm was the first to raise America’s hackles