Egypt’s authorities want to crack down on mahraganat
But the working-class music will not be stifled
As they navigate the narrow streets of Cairo, tuk-tuk drivers blast mahraganat from their speakers. The music’s sound is distinctive: the Egyptian ri’ (tambourine) and tabla (drum) are combined with electronic beats, and performers both sing and rap. For a while mahraganat—meaning “festivals”—was enjoyed mainly by the working classes and tolerated by the authorities. Now that it is more widely popular, officials are trying to silence it.
This article appeared in the Culture section of the print edition under the headline “From El-Salam to the world”
More from Culture
Ovation inflation has spread from Broadway to London’s West End
Why do dud plays get standing ovations?
Are mystics kooks or valuable disrupters?
A realist’s refreshing take on mysticism
Sex and Snow White: how Grimm should children’s books be?
The German authors suggest very, but today trends run the opposite way
Jimmy Lai’s trial is a headline-worthy example of injustice
A new biography aims to keep the public’s attention on the pro-democracy tycoon
Millennials and Gen Z are falling hard for stuffed animals
Plushies are cute, cuddly and costly
Ten years after the Charlie Hebdo attack, satire is under siege
Public support is waning for the right to offend